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Epitaph Records

Epitaph Records
Founded 1980
Founder Brett Gurewitz
Distributor(s) ADA (US), PIAS (UK).
Genre Punk rock, pop punk, hardcore punk, alternative rock, metalcore
Country of origin U.S.
Official website

Epitaph Records is a Hollywood, California based independent record label owned by Bad Religion guitarist Brett Gurewitz. The label was originally "just a logo and a P.O. box" created in the 1980s for the purpose of selling Bad Religion records, but has evolved into a large independent record label. Gurewitz took the name from a King Crimson song of the same name. Throughout the 1980s and 1990s most of the bands on Epitaph were punk and pop punk groups, while there are many post-hardcore and emo bands signed to the label as well. A large portion of the record label, known as Hellcat Records, is owned by Tim Armstrong, frontman of the punk rock band Rancid. Several sister-labels also exist, such as ANTI-, Burning Heart Records, Fat Possum Records, Hellcat Records and Heart & Skull Records that have signed other types of bands.


  • History 1
    • Early years (1980s) 1.1
    • Breakthrough success (1990s) 1.2
    • Change in style (2000s) 1.3
    • Recent years (2010s) 1.4
  • Artists 2
    • Current artists 2.1
    • Former artists 2.2
  • Compilations 3
  • See also 4
  • References 5
  • External links 6


Early years (1980s)

Brett Gurewitz formed Epitaph Records as a vehicle for releases by his band Bad Religion.[1] Its first release for the label was Bad Religion's 1981 self-titled EP, followed by their debut How Could Hell Be Any Worse?, which was also the label's first full-length release. Also released during this period was Peace thru Vandalism, an EP by The Vandals, who were the first band besides Bad Religion to sign to Epitaph. Two more Bad Religion releases followed – Into the Unknown and the EP Back to the Known – before their temporary split. After Gurewitz had cleaned up his drug issues, both Epitaph and Bad Religion were revived in 1987. In the following year, Epitaph released its first record as a proper label, which was L7's self-titled album, and it was distributed by Chameleon. Also in 1988, Bad Religion released Suffer, which was both released and distributed by Epitaph. Not only is Suffer often cited as one of the band's best by fans, but it is credited with "saving" the Southern California punk rock scene by fans and Bad Religion's contemporaries alike.[2]

In 1989, Gurewitz signed NOFX to his label. They released their Epitaph debut S&M Airlines that same year, featuring the video for its title track and the cover of Fleetwood Mac's "Go Your Own Way", which featured guest vocals by Gurewitz and Greg Graffin, who is also a member of Bad Religion. Following this were the release of Bad Religion's next two albums – No Control and Against the Grain – which sold 60,000[3] and 100,000[4] copies respectively.

Breakthrough success (1990s)

By 1993, more punk acts had signed to Epitaph, including Pennywise, Down by Law, Coffin Break, The Offspring, Rancid, R.K.L., SNFU, Total Chaos and Claw Hammer. Epitaph's expansion saw the label relocate to new offices in Silver Lake.[1]

Although Bad Religion was the founding band of Epitaph, releasing their early records through the label, they switched over to Atlantic in 1993, with Recipe For Hate being their first record outside of the label. Recipe for Hate was followed by their 1994 highly successful release Stranger Than Fiction. Brett Gurewitz is thought to have left Bad Religion as a result of internal disputes, but actually left the band in 1994 so he could run Epitaph full-time. That year Bad Religion and Epitaph received widespread fame, both within and outside the punk community, when Bad Religion (even though they had left Epitaph by this time), NOFX, Rancid and The Offspring all released hit records. This was a big year for punk in the mainstream; Rancid appeared on Saturday Night Live the following year, playing "Ruby Soho" and "Roots Radicals". The Offspring eventually left for Columbia Records in a contract dispute, but their album Smash became the best selling independent album of all time, with more than 11 million units sold worldwide to date.[5]

Change in style (2000s)

In 2001, Brett Gurewitz returned to Bad Religion after the band re-signed with Epitaph Records,[6] releasing five more albums: The Process of Belief in 2002, The Empire Strikes First in 2004, New Maps of Hell in 2007, The Dissent of Man in 2010 and True North in 2013.

In mid-2005 Epitaph was added to the official list of

  • Official website
  • Retox (grupo musical)

External links

  1. ^ a b Larkin, Colin (1999) "Epitaph Records" in The Virgin Encyclopedia of Heavy Rock, Virgin Books, ISBN 0-7535-0257-7, p. 150
  2. ^
  3. ^
  4. ^
  5. ^ Bio: The Offspring
  6. ^ Piccoli, Sean (2002) "PUNK'S BEEN GOOD TO BAD RELIGION", South Florida Sun-Sentinel, March 1, 2002, p. 36
  7. ^ a b
  8. ^ Independent Labels Sign Deal With Snocap
  9. ^
  10. ^
  11. ^ Luerssen, John D. (2010) "Weezer Sign to Epitaph, Announce 'Hurley' Album", Spinner, August 5, 2010, retrieved 2011-05-08
  12. ^ Goodman, Dean (2010) "Rock band Weezer honors 'Lost' star on new album", Reuters, August 11, 2010, retrieved 2011-05-08
  13. ^ DC Video


See also


Former artists

Current artists


Epitaph signed Weezer in 2010, the label releasing Hurley later that year.[11] The label signed Social Distortion in the same year.[12] Epitaph signed Australian punk band Dangerous! in 2011 and released album Teenage Rampage. Epitaph also recently signed the Canadian punk rock band Propagandhi. The label has also been more active in signing bands from the emo revival including The Menzingers, Joyce Manor, Pianos Become the Teeth, Defeater, and The World Is a Beautiful Place & I Am No Longer Afraid to Die

Recent years (2010s)

During this time, the label started to stray from its traditional punk rock output by signing a number of post-hardcore bands such as The Blackout, Escape The Fate, From First to Last, Hell Is for Heroes, I Am Ghost, Matchbook Romance, Our Last Night, Scatter the Ashes, Story of the Year, Thursday, Vanna, and You Me at Six.


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